Obsessed korea
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And their huge popularity at that time laid the foundation for the surge of Hallyu - or Korean Wave - that Myanmar is starting to experience now. It was the only option,” said Jin Park, the general manager of MKCS Global, a major distributor of Korean entertainment content in Myanmar. “Back in the day it was 24-hour news and propaganda and nationalistic songs and then they’d have a one-hour belt of Korean shows. At that time there were only two television stations - both state run.
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It was the early 2000s and Myanmar was living under the relative darkness and isolation of military rule. “We were that crazy about Korean television series.”
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So if there was an electricity blackout, my mother grabbed me and went to another house, where people gathered and enjoyed Joon Suh and Eun Suh with the help of generator,” he recalled. It was called Autumn In My Heart, a program that swept Myanmar close to two decades ago.
Obsessed korea series#
She will be the protagonist in my second book, which is due soon.YANGON: Zay Linn Htike remembers as a boy waiting to watch his family’s favourite Korean drama series at home. The narrator that I had spent the most time on was cut out entirely. “The novel is entirely unrecognizable from its first drafts. “It took 10 years from the first words on the page to publication,” she explains. But as many aspiring writers worldwide hope to pen their debuts under quarantine, Cha reminds us of the labor that goes into writing novels. We’ll see if virus lockdowns and Zoom meetings loosen these rigorous standards. It is considered disrespectful, for example, to appear as if you have not put any thought into your appearance before meeting someone.” “But there is more pressure about looking put-together. “I don’t think there is necessarily more societal pressure to be beautiful in Korea than in other countries,” says Cha. But are Korean women really as beauty-obsessed as the novel implies? I wanted to explore why some of the most extreme cases in such an intense society make the choices that they do.”Ĭha says that feedback from Korean readers - both in South Korea and internationally - has been positive, the book striking a familiar chord. There are compelling reasons behind such choices, as there is fallout. “I hope to invite the reader to reserve judgement toward the characters, who choose this way of obtaining beauty for a chance to make their lives better. “I find it interesting that there is this judgement or pity or revulsion about women - both in Korea and elsewhere - who chose to have plastic surgery,” says Cha. Might the real enemy not be men here, but the trap of mindless materialism? They want the good life and designer handbags - luxuries that come at a price - all the while looking down on the women that haven’t had surgery. Like Lily Bart, the young heroine of Edith Wharton’s feminist classic “The House of Mirth,” Cha’s 20-something-year-old characters are self-absorbed, chasing dreams in cold, shallow worlds. Some readers may wonder if the characters’ problems are self-induced. I always see young women going in and out of the building at all hours, and I know that so many stories are happening there.” I liked the idea of setting it in an ‘office-tel’ (a building with studio apartments and office space for young professionals) because my mother’s house in Korea is right next to one. “I originally thought of the book as an interconnected group of short stories. “During my time at CNN, I got the rigorous training of writing every day about Korea for an international audience,” says Cha, who mixes social reportage into the sweep of her novel. She moved to Korea at age 11 and lived there until 2013, when CNN moved her to Hong Kong. Their friend Sujin hopes to find work at Kyuri’s salon once her face heals from her plastic surgery.Ī former editor for CNN in Seoul, Cha writes about life in the city with an intimate eye for detail. Told in shifting first-person perspectives and plain young-adult novel prose, we first hear from Ara, a mute hairstylist at a salon in the downtown Gangnam district, and then her housemate Kyuri, who works at a so-called “room salon,” a club with karaoke rooms that serve as a front for prostitution. 'Breasts and Eggs': Not just some elevated piece of literary chick-lit South Korean women ditch makeup and 'escape the corset' in rebellion against ideals of beauty